implied jewellery

Incorporating aspects of the Skin and Bones exhibit (2006) at the Museum of Contemporary Art in Los Angelas,CA as well as Le Corbusier’s use of grid and human dimensions my attempts here are to investigate implied jewellery objects that can be interwoven with the aristocratic symbol of white gloves. My idea is to challenge traditional notions of why jewellery is worn, ideas about class, and the origin of adornments as they relate to the grid of the human body.


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